Guilt

Having nothing to occupy myself this morning, I turned on the high definition wide screen Sceptre and launched the Xfinity programming guide.  To my delight, I found that Comedy Central (which, frankly, isn’t all that comedic most of the time) was showing Animal House.  What a grand way to kill the dead time between awakening and the start of the Giants baseball game. Animal House is a hoot.   Comedy Central..........not that much. Endless commercials.  This is why I seldom watch regular TV and mostly stick with Netflix, Amazon Prime, Pub-D-Hub Gold, and other offerings from my beloved ROKU box.  Via the ROKU box, I also watch some advertiser supported programming, like Crackle, Popcorn Flix, and Moonlight Movies but the ads on such, um, “channels”, I guess, is not nearly as annoying.  Don’t really know why, but part of it is that there just aren’t quite as many and they aren’t quite as pervasive. Back to Animal House.  I’m watching and hoot...

Armed with my wide screen high definition TV, a working WIFI in the house, and my constant companions, the ROKU box and a fully paid up Pub-D-Hub Gold subscription, I took in that 1962 period piece, The Intruder. A serious piece of work for the time, this movie is at the epicenter of the crossing paths of William Shatner and Roger Corman, and this can only mean one thing..... Movie Notes From Vantucky--Vancouver, Washington The Intruder has a confused little plot, containing all of the necessary early 60s causes--Racism, Sexism, Sex (without the “ism”), KKK and Cross Burning, Southern Crackers.....Oh, you get the picture.  There’s not too much convalution to get in the way of the story here--Evil white agitator shows up in a conservative southern town, stirs the yokels into an anti n-word frenzy (they actually use quite a bit of the n-word, if you know what I mean and I think you do) on the eve of integration, and, ultimately, is shown for the coward that he is.  In other word...